Guest post from Liz West, artist exhibiting at the Synthesis exhibition.
the curator of Synthesis ,Tracie Shaylor had visited and seen recent work at Bury Light Night and immediately wanted me in the show. The in-depth colour theory that I employ in all my light works ties in neatly with the exhibition being part of Manchester Science Festival.
I am most excited by site-specific work. If I was to be part of this exhibition I
Upon entering the exhibition space I was blown away by the possibilities for new work, my mind started racing. Tracie had ear-marked two particular spaces for my work, upon inspection they are not the easiest to work with, but these are the spaces I am excited by the most. I like a challenge.
One of the spaces was in front of a vast window looking on to the main road past the Warehouse. A light-work would defiantly attract passers-by and act as an advertisement for the show. I aim to rework the recent commission I made for Macclesfield's Barnaby Festival by stacking the light boxes on top of each other instead of presenting them side-by-side. Configured this way it would lend itself to the space and illuminate the nearby white walls.
The second space is within the main exhibition hall. A set of blue railings guard a drop down to the floor below; this was the space I had to respond to! In this site-specific installation conceived specially for Synthesis, I will systematically arrange numerous multicoloured fluorescent stick-lights. The title of work is taken from Josef Albers text ‘Interaction of Colour’, where it is explained that a direct mixture of projected light demonstrates an additive mixture where the sum of all colours in light is white. I am super excited about it and as with most of my installations, you have to see them in the flesh to fully appreciate.
I can't wait to install these works and perhaps see you at the preview on Thursday evening?